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 When I first opened my images and printmaking to the public light I had not intended to explain how I achieved the finished work beyond a brief discussion of paper and ink and a mention of giclée printing.
The work, I thought, would speak for itself. The process may be important to me, but the print would be sufficient unto itself. I could not imagine anyone saying "But, Mr. Michelangelo, how did you arrive at the image of God and Adam?" or, more relevantly in view of the subject matter, "But, Mr. Constable, how did you create "The Haywain?" But I find I am asked the question
"How did you do it?" often enough to realize that people really do want to know what prompts creative work. If the work appeals to them, they want, somehow, to get inside it.
One may not understand the creative mind of Michelangelo, but by understanding something of the process one may be able to get closer. I hope that I can pass on some insights that might
enrich your appreciation of my images. Be aware, however, that words are a poor means for describing visual processes.
So, an attempt at explanation in four pages: First: what am I trying to do, what prompted the activity? Second:
how did I, in practical terms, create the images? Third: reflections on my use of the computer. Finally: how did I translate the images into repeatable, limited edition prints?
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